Hera Hilmar as Wikileaks Staffer 2.
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- Bringing the best of arthouse and festival cinema into focus?
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- The Fifth Estate.
CinSyla Key as Airplane Passenger. David Akinloye as Airline Passenger. Oct 21, Full Review…. Oct 21, Rating: 2. Oct 18, Rating: 3. Oct 18, Rating: C Full Review…. Feb 21, Full Review…. Jan 24, Rating: B- Full Review…. Nov 7, Full Review…. Oct 31, Full Review…. Sep 5, Full Review…. View All Critic Reviews Feb 03, Before this I really didn't know a lot about Wikileaks.
I remember it being in the news, but honestly I didn't really care. This is the story or at least Hollywood's version of how it got started and essentially changed the way information is leaked to the masses.
The Fifth Estate
More than anything it's a portrait of Julian Assange Benedict Cumberbatch and how he is arrogant and pretty much an ass. More importantly the movie falls flat. It drags a lot and it's too jumbled up to be effective at anything it sets out to do. Cumberbatch is OK, but I've seen him in much better movies than this. Same with Daniel Bruhl, who was amazing in "Rush". It wants to be a techno thriller like "The Net", but ends up somewhere in the middle.
I especially didn't care for the ending. The way it ends is just kind of like well that was stupid. No one narrates the movie so it's not like a "this is my story", which honestly would have been better.
The Fifth Estate
But, I will say this, the movie does make me want to learn more about Wikileaks, so in that regard it is a success. I know there is a documentary out called "Wikileaks, we steal secrets", and after seeing this, I don't think I'm gonna put that off much longer.
Anyway, I've seen much better and I'm not sure who this would be best suited for. You may like it, or you may hate it. Either way, let me know what you think about it. I thought and hoped for a better movie, but they can't all be winners now can they? Everett J Super Reviewer. Jan 31, After watching "The Fifth Estate", I'm a little bit confused as to what the film is trying to accomplish. It apparently sets out to reveal secrets and expose deceptions, but there really is nothing new here. Just some tid-bits about Assange allegedly being a weirdo and behaving very self-important.
But then, the debate between Daniel and the Guardian guy as well as the 'interview' Assange gives to the audience by the end of the film seem to contradict everything that the movie was going for. There were several sub-plots that seemed unnecessary; like the girlfriend one and the one with actors Linney, Mackie, and Tucci about their supposed Lybian-informant Tarek who's life might be in peril because of the leaks. Tarek appropriate calls Linney's character after they've escaped Lybia and no answer is given as to what they should do next.
Real fascinating story right there. Despite its misgivings, I still enjoyed most of the film. Wildaly M Super Reviewer. Jan 29, Oh yeah, this sounds like quite the nail-biter of a thriller, being that it's about some popular little news show, and a Canadian one at that. No, people, this film has to be more exciting than that, because, after all, it's about some serious conspiracies Man, come to think of it, the Canadian show "The Fifth Estate" is pretty well-known for its investigative journalism work, so you might be able to get some momentum out of that after all, as opposed to this film, which would be really hard to take seriously once it got to the scene in which everyone keeps giggling a little bit at the idea of naming this major whistleblower website WikiLeaks.
Oh, that's so cute, but I don't want my news to be cute, Diane Sawyer, although WikiLeaks, while adorably named, makes me a little too scared, especially when I see that the head of this investigative journalism organization is headed by Sherlock Holmes. Man, Benedict Cumberbatch is getting some work lately, but I wouldn't say that he's being type-cast as a master investigator, because where Sherlock Holmes is British, Cumberbatch is tossing on some sexy silver hair to play Julian Assange, an Aussie.
Man, I've always been a little suspicious that the Australians were up to something, sitting on their little continent, seemingly harmless, and now, sure enough, they've got all the dirt, or at least Assange does. I'm telling you, folks, that silver hair is just too cool to say no to, unless, of course, you're those Swedish women I suppose gradual development to this somewhat intimate and certainly lengthy character study is there, but immediate development is rather lacking, for although we don't need to know a whole lot about the leads right way, your sudden thrust into the narrative ought to leave your investment to go loosened, no matter how much the final product tries to compensate for limited early exposition by bloating things.
Now, the film isn't quite as bloated as you might fear it would be, as this subject matter has enough layers to sustain a hefty length, yet not a length this hefty, and all too often achieved through draggy, repetitious material that feels all the more limp behind a certain coldness to Bill Condon's directorial atmosphere.
When Condon's somewhat meditative storytelling runs out of material to draw on, it falls into blandness, if not dullness, and make no mistake, there are plenty of lapses in material's bite, due to dragging, and even familiarity. Not just conventional, but generic, this film's style, while sharp, is even plagued with a near-cheaply uncreative flare that cannot compensate for trope-heavy plotting, which, when backed up by the uneven pacing, reflects a laziness to storytelling that is contradicted by ambitiously overblown elements.
While generally reasonably chilling, Condon's direction has its share of moments of atmospheric over-emphasis which water down the genuineness of the thoughtfulness, maybe not to where the film ever beats you over the head with subtlety issues, but decidedly to where the film feels more ambitious than truly realized. Conviction feels limited here, at least more so than it should be, as there is so much potential here, yet it ultimately goes cut short by the sharp blade of uneven pacing, familiarity and subtlety hiccups that render the final product kind of forgettable.
The film stands to hit harder, but I won't say that it swings as far off from its mark as many are saying, as there is an ultimately adequate deal of inspiration, at least in style. As I said, even this film's ultimately prominent style is formulaic, yet it's nevertheless commendable, with some nifty snap and post-production novelties to Virginia Katz's editing that capture a degree of this cyber thriller's thematic flavor, if not a degree of entertainment value.
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Style has a certain liveliness about it that keeps things going to some extent or another, though not without the guidance of director Bill Condon, who, through all of his missteps and overambitious bloatings, carries thoughtful, if not smoothly intense plays on score work, in addition to style, in order to establish a near-biting atmosphere that sometimes all-out grips. The atmosphere is often cold in its overambitious stylization and thoughtfulness, yet storytelling still has a certain value to it that soaks up the value of worthy subject matter.
Well, I suppose some natural thinness is there to this relatively minimalist techno-thriller, but it's not nearly what makes the final product underwhelming, as the story interpretation most undercuts things, while the story concept itself meditates upon the sharp technical and humanly flawed minds behind an important, if questionable whistleblower project pretty interestingly, and it sometimes truly brought to life by effectively meditative storytelling. As I've been saying time and again, the aimless, if not overblown elements to storytelling distance about as much, if not more than it engages, ultimately holding potential back, but still carrying with it a fair inspiration that intrigues, particularly when anchored by more the much more consistent onscreen talents.
Cameron J Super Reviewer. Jan 25, You can't expose the world's secrets without exposing yourself. Good Film! The film was not bad. It was sort of an attempt to make a Facebook style film about Wikileaks and although it nowhere measured up to the quality of "Social Network. Pretend to be fair and at the last minute, throw up a bunch of negative facts. I believe that combining the positive portrayal of the U.
History will probably judge this film as just another propaganda piece of the corrupt powers that be. If I were to write this film, I think it would have been much more interesting to concentrate on the incidents of human rights abuses rather than on the Assange himself. It would have also had the positive effect of encouraging, rather than discouraging whistle-blowers.
Whistleblowers: Moment of Truth What happened to well-known Canadian whistleblowers? Lucky 7 Stolen lottery win is recovered . The Elephant in the Room Retiring zoo elephants . Left for Dead Struggle for survival in icy waters near Baffin Island . Lance Armstrong: Master of Spin . Hunting Magnotta Could the gruesome crimes of double murderer Luka Magnotta have been prevented? Costa Concordia: The Captain's Tale .
Target bin Laden . Second Wave Debris from Japanese tsunami begins to reach Canadian coasts . Rate My Hospital . The Secrets of Sugar  . Made in Bangladesh . The Murder and the Money Trail .
Creating Space in the Fifth Estate
Elephants on Board: A Journey to Remember . The Strange World of Julian Assange . The Rob Ford Story . The reporter tells Daniel that while Assange may be untrustworthy, he had done a good thing by uncovering secret dealing in the government and business world and attempting to protect sources. Daniel also reveals the real reason for Assange's hair colour—that it had been a custom of the cult he had been part of in Australia—and reports that he once accidentally discovered Assange dyeing it that colour. As the film ends, it is revealed that WikiLeaks is continuing to leak information with Assange implied to have either regained the site or rebuilt it , and the Manning documents were released with no redactions.
Daniel has written a book on his involvement with the organization on which this film was based, and Assange has threatened to sue in retaliation. Assange is shown to be living in the Ecuadorian embassy in London to avoid arrest on an outstanding warrant for alleged sex crimes.
The Fifth Estate - FBO
In an interview, he denounces the two upcoming WikiLeaks films, stating that they will be factually inaccurate having been partly based on Daniel's book. He informs the viewer that individuals are what the government is afraid of and claims that hiring Daniel was the one mistake he made.
In July , reports surfaced that Jeremy Renner was in talks of playing Julian Assange , and Bill Condon was in negotiations to direct. It was also announced that Josh Singer penned the screenplay. Later that year, Deadline Hollywood broke the news that Renner was out of the running and the studio was seeking Benedict Cumberbatch instead. The confirmation of Cumberbatch as the lead and Condon as the director also brought the news that James McAvoy was in talks to play Daniel Domscheit-Berg. In December , the film's title was reported as The Man Who Sold the World  but with the official press release, it was confirmed that the film's title was actually The Fifth Estate.
The film's title sequence, which depicts the history of news communication, took over a year to create. On January 24, , Assange claimed during a presentation of the Sam Adams Award for Integrity in Intelligence—held at Oxford University —that he had read the screenplay of the film, describing it as a  "serious propaganda attack on WikiLeaks and the integrity of its staff", as a "lie built upon a lie", and as "fanning the flames for war on Iran".
Come with constructive ideas how to improve it". Although Julian Assange has described the film as a "massive propaganda attack",  he did discuss the film with Benedict Cumberbatch , with Cumberbatch claiming that he's "personally supportive" of the organization. On September 21, , a script, allegedly the film's screenplay, was released by WikiLeaks , along with commentary labeling the film as "fiction masquerading as fact". In October , WikiLeaks published a personal letter that Assange wrote to Cumberbatch in January of that year, in which he commended the actor's talent and good intentions, but requested him to reconsider his involvement with the film, which Assange negatively labeled as "a project that vilifies and marginalises a living political refugee to the benefit of an entrenched, corrupt and dangerous state.
But a true force to be reckoned with, achieved the realization of the great ideal. In February , Andrew O'Hagan , the ghostwriter of Assange's autobiography by Canongate, recalled the activist's reaction to the film in a lecture for the London Review of Books. He stated that Assange wanted him to be a consultant of the film and even suggested splitting his fee between the two of them.
The film's score was composed by Carter Burwell and its soundtrack was released by Lakeshore Records on October 8, All music composed by Carter Burwell , except as noted. The Fifth Estate received mixed reviews from film critics, although Cumberbatch's performance as Assange received praise. The website's critical consensus reads, "Heavy on detail and melodrama but missing the spark from its remarkable real-life inspiration, The Fifth Estate mostly serves as a middling showcase for Benedict Cumberbatch's remarkable talent.
Variety wrote "that it primarily hobbles itself by trying to cram in more context-needy material than any single drama should have to bear. Would you like help? Owen Gleiberman of Entertainment Weekly praised the film, describing it as "a vintage journalism thriller, a nihilistic newspaper drama for the dark digital age. The voice and the slightly jerky, stiff, awkward demeanour are just right. From Wikipedia, the free encyclopedia.
Theatrical release poster. United States  India . Benedict Cumberbatch left portrayed Julian Assange right. It may be decades before we understand the full impact of WikiLeaks and how it's revolutionized the spread of information. So this film won't claim any long view authority on its subject, or attempt any final judgment. We want to explore the complexities and challenges of transparency in the information age and, we hope, enliven and enrich the conversations WikiLeaks has already provoked.
He Assange called me one day during the making of the DreamWorks movie, when I was in a supermarket in Camberwell. Why don't you say yes to that, and split the fee with me? Carter Burwell. E1 Films. British Board of Film Classification. September 26, Retrieved September 26, British Film Institute. Retrieved June 18, Retrieved December 11, The Guardian. Retrieved January 23,